site specific design
One of the things I like most about working with water is that it makes statements that don’t require much verbal explanation. In fact, I like to think that the projects I build speak volumes about my clients’ desire for something creative and interesting. They also speak to the point that most of my clients grant me the freedom to give my very best effort, both aesthetically and technically, without
It’s not every day you get the chance to work on a project that’s going to be seen around the world by millions of people for decades to come. That was exactly the opportunity that came our way in October 1999, when we were asked by the Denver Broncos to construct an elaborate waterfeature at Invesco Field at Mile High, a brand-new stadium that
What type of swimming pool do you put in the backyard of a Craftsman-style home? This question, presented during a course on 20th-century architecture I taught at the pool show in Las Vegas last November, is easy to ask but difficult to answer. In fact, this is
In his book Gardening with Water, James van Sweden called water “the heart of the garden.” I’ve had the privilege of working with him and his partner, Wolfgang Oehme, since 1986, and all of us at Oehme, van Sweden & Associates (Washington, D.C.) share an appreciation for the simple profundity of our founding partner’s words that is clearly reflected in the way we use water. To be sure, we occasionally design gardens without water, but more often it’s a key part of what we do and serves as a powerful foil to plants, hardscape, art and architecture. We enthusiastically take advantage of the way it brings contrasts, reflections and sounds to spaces and exploit its ability to define destinations, invite recreation or provide gathering spaces. We also work closely with all of the psychological associations it conjures within human beings – feelings of tranquility or excitement as well as sensations of the raw, regenerative power of nature. In our work, which spans the full spectrum of residential, commercial, public and institutional settings, fully 80 percent include watershapes in some form, from lily ponds, rills or cascades to formal fountains or swimming pools. Occasionally these are stand-alone features, but when the situation permits, we’ll use them in
Through the past few years, a number of my most interesting projects have been all about revising outdoor environments for upscale residential clients, generally with the thought in my mind of integrating exterior and interior spaces. That seems simple enough, but these tasks have frequently been complicated by unusual site features and the fact that what clients want at the outset isn’t exactly what the site seems to require. In a few of these situations, I’ve needed to reset the stage entirely by remodeling significant architectural elements of the house to fuse indoor and outdoor spaces; in others, I’ve had to revise and reconfigure everything on site except the house. As I roll through these various scenarios, the thought I always keep uppermost in mind has to do with making everything seem as though
There’s no substitute for working closely with clients. I typically spend many hours conversing with them, discussing everything from their travels and artistic interests to the specifics of the project at hand. It’s the only way I know of to ensure that I’m following the best path in developing a design to meet their needs. That approach was taken to something of an extreme in the project pictured here: Not only did I devise the outdoor spaces, including a large swimming pool and a host of other exterior features, but I also was extensively involved in building the house itself. It was an exciting process for me, one that yielded positive outcomes and that, to this day, is still one of my favorites. Interestingly, however, my association with these wonderful clients actually began a couple years before this project commenced – an encounter that resulted in no work for me at all and also
Every year, it seems, I'm asked to teach more and more classes on how to build streams, waterfalls and ponds that look natural. I enjoy conducting these sessions for local supply houses, landscape architecture firms, community colleges and other organizations and find it flattering that they value what I know. My motivation for sharing, however, is less about ego gratification than it is about my awareness that there's no way a single company can build all of the naturalistic watershapes consumers want these days. To me, it's a matter of collective as well as personal interest that these watershapes be built to function well and look great. In Colorado in particular, I also see a need for work that appears completely and distinctly natural, simply because most clients here are accustomed to seeing remarkable beauty in the countless alpine settings that grace this beautiful state. Indeed, it's a fact of professional life here that the work must mimic nature closely or it just won't fly. That can be very good for business, of course, but only if more than a few professionals hereabouts are up to the challenge. Available projects range from those that use thousands of
