rock
It's strange how things can work out with a project. In this instance, we were called in to design the outdoor environment to go with a couple's weekend/vacation home on the water of Grand Lake o' the Cherokees in northeastern Oklahoma. It was a beautiful, inspiring setting, with the home situated at the end of a peninsula that reached out into the lake, and it quickly became a favorite gathering spot for a couple generations of a fun-loving family. We developed the design based on a few parameters offered by the clients as well as the nature of the incredible site and the distinctive
As I mention at the start of this video, setting the edges is just about my favorite part of the pond-installation process. As is true with juggling and placing big rocks, there's an art to getting things just right and making the setting look as natural as possible - that is, as though the pond not only belongs there but has also been there for uncounted years.. As the video discusses, there are
In many parts of the country, it's not uncommon to encounter the unexpected when you start digging to make way for a swimming pool or some other watershape. There might be field stone, a rock ledge, a buried outcropping or even hardpan. Depending on the size, depth and extent of these stony intrusions, running into any of them can, as the video linked below suggests, take a homeowner's budget expectations and throw them right out the window. And it's not just rock that can be a hidden issue: Various types of soil can be problematic, as can the groundwater level in the
Stone. Rock. Boulder. Just the sounds of those words imply strength – terse terms that audibly capture gravity when pronounced. You expect the material they describe to be dominating, and in fact it does command attention, demand recognition and push us toward respect. We want rock. We need rock. But why? Maybe it’s because
My love of nature started with a rock collection I had as a child: My fascination with the simple beauty of those small pieces of stone hit me early in life and never left. Several years later, my outlook was dramatically expanded when a wealthy uncle of mine paid to have a formal Japanese garden built for his home in Boulder, Colo. Ever since, I've had a profound appreciation of archetypal Japanese gardens and the way they celebrate nature through landforms, rocks, plants and water. By the time I was in high school, I had already decided that my career was going to involve working outdoors, and from that time forward, my prime interest was in bringing the techniques and disciplines of Japanese gardens into the greater American landscape both where I grew up in the Pacific Northwest and elsewhere. For 30 years now, I've worked as a landscape artist in that region - for 15 years in Portland and for the last 15 in Eugene, Ore. Although many of my designs are not what you could describe as "Japanese gardens" per se, everything I do is informed and influenced by those traditions. I bear no grudge of any sort against the beauty of gardens in the Western European tradition, but to my mind, there's nothing in landscape design that harmonizes more seamlessly with nature than
My love of nature started with a rock collection I had as a child: My fascination with the simple beauty of those small pieces of stone hit me early in life and never left. Several years later, my outlook was dramatically expanded when a wealthy uncle of mine paid to have a formal Japanese garden built for his home in Boulder, Colo. Ever since, I've had a profound appreciation of archetypal Japanese gardens and the way they celebrate nature through landforms, rocks, plants and water. By the time I was in high school, I had already decided that my career was going to involve working outdoors, and from that time forward, my prime interest was in bringing the techniques and disciplines of Japanese gardens into the greater American landscape both where I grew up in the Pacific Northwest and elsewhere. For 30 years now, I've worked as a landscape artist in that region - for 15 years in Portland and for the last 15 in Eugene, Ore. Although many of my designs are not what you could describe as "Japanese gardens" per se, everything I do is informed and influenced by those traditions. I bear no grudge of any sort against the beauty of gardens in the Western European tradition, but to my mind, there's nothing in landscape design that harmonizes more seamlessly with nature than
The art of watershaping so often is all about the art of finishing. Certainly, every stage of any project is important, but the final steps leading to completion are what make most designs come to life. The project pictured here, which I've covered in five of my "Details" columns during the past couple years, has been an undertaking of extraordinary scale and mammoth complexity. As I mentioned frequently in those columns (November 2003, January and February 2004 and January and February 2005), the lion's share of the project management fell to my east coast partner and dear friend Kevin Fleming, who truly has endured a baptism of Tisherman-style fire as he
The art of watershaping so often is all about the art of finishing. Certainly, every stage of any project is important, but the final steps leading to completion are what make most designs come to life. The project pictured here, which I've covered in five of my "Details" columns during the past couple years, has been an undertaking of extraordinary scale and mammoth complexity. As I mentioned frequently in those columns (November 2003, January and February 2004 and January and February 2005), the lion's share of the project management fell to my east coast partner and dear friend Kevin Fleming, who truly has endured a baptism of Tisherman-style fire as he
