restraint
My work as a landscape architect is usually recognized for two distinguishing characteristics - first for the inspiration I draw from my friend and mentor, the late, great Brazilian environmental artist Roberto Burle Marx, and then for my driving ambition to preserve and restore habitats, as expressed in projects throughout South Florida and across the Florida Keys and various islands in the Caribbean and the West Indies. This is why seeing the project discussed here comes as something of a surprise to many who are familiar with my work: It's located in Big Timber, Mont., a blip on the road between
‘One of the real tricks in any art form can be the challenge of exercising restraint,’ wrote Brian Van Bower to open his Aqua Culture column in September 2003. ‘Bigger isn’t always better, and both scale and size do matter. In other words, just because you can create something grand, it doesn’t always mean that you should.’ ‘This principle of proportionality has a sharp, specific meaning in the world of the custom watershaper,’ he continued, ‘especially when
'The creation of something outstanding, something that stirs an emotional response, something that establishes an ongoing, extraordinary experience for clients and anyone else who sees our work all starts with the passion we have in our hearts for art and its intimate relationship to what we do as watershapers.' That's how David Tisherman opened his Details column in the October 2005 edition of WaterShapes. He continued: 'I believe that unless you appreciate and
'Everywhere you turn these days,' wrote David Tisherman to start his Details column in August 2005, 'you see watershapers tackling projects that would have been unthinkable even a few years ago.' 'With this broadening list of possibilities, however, . . . [t]he industry's like a teenager with a fresh driver's license: just because he or she knows how doesn't necessarily mean that
Everywhere you turn these days, you see watershapers tackling projects that would have been unthinkable even a few years ago. It wasn't that long ago that simply raising a spa seemed like a big challenge, but these days vanishing edges, perimeter overflows and other ambitious details have become relatively common. And it's not just technology: Watershapers are gravitating toward great materials, colors, hardscape, plants and amenities - signs of real growth and, for the most part, a very good thing. With this broadening list of possibilities, however, have come some growing pains. The industry's like a teenager with
One of the real tricks in any art form can be the challenge of exercising restraint. Bigger isn't always better, and both scale and size do matter. In other words, just because you can create something grand, it doesn't always mean that you should. This principle of proportionality has a sharp, specific meaning in the world of the custom watershaper, especially when clients ask for something that is oversized for the property or more elaborate than called for by the setting or surrounding architecture. We all know where it comes from: Clients have seen something they like, and it
Wanted: Water Artists