rendering
In this day and age, designers have a variety of ways to communicate their ideas to clients - hand drawings, models and computer imagery among them. We also know every client is unique and that each has his or her own way of absorbing information and processing concepts. Although there are some who never fully understand a designer's vision until a project's been built, most clients will accept one style of design presentation or another and in some way visualize what's happening. In the project we're currently engaged in with an historic Spanish Colonial Revival home in Orange County, Calif., however, we at Holdenwater, a design firm based in Fullerton, Calif., have had to use four
In this day and age, designers have a variety of ways to communicate their ideas to clients - hand drawings, models and computer imagery among them. We also know every client is unique and that each has his or her own way of absorbing information and processing concepts. Although there are some who never fully understand a designer's vision until a project's been built, most clients will accept one style of design presentation or another and in some way visualize what's happening. In the project we're currently engaged in with an historic Spanish Colonial Revival home in Orange County, Calif., however, we at Holdenwater, a design firm based in Fullerton, Calif., have had to use four
Long before the Bobcats show up, most watershape designers will have used some sort of two-dimensional artwork to excavate their customers' imaginations. Perhaps it starts with old photographs in a portfolio, but it almost always ends up with new drawings that encourage precise, detailed communication between designer and client in a way that can never be fully achieved with verbal descriptions or written proposals. If done with appropriate detail and skill, a drawing gives designer and client the opportunity to explore the
