planting

2019/2.2, February 20 — Botanical Beauty, Disaster Relief, Purposeful Travel and more
THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS February 20, 2019 www.watershapes.com BOTANIC ENCHANTMENT…
2018/11.2, November 21 — Glass-Tile Finesse, Revising a Legend, Calming with Water and more
THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS November 21, 2018 www.watershapes.com FEATURE ARTICLE…
2018/10.1 — Hilltop Hideaway, Pond Tuning, Piers in Place and more
THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS October 3, 2018 www.watershapes.com FEATURE ARTICLE…
2017/4.1, April 5 — Longwood Renewal, Water Bowls, Mid-Century Revelations and more
THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS April 5, 2017 www.watershapes.com FEATURE ARTICLE…
The Evergreen Scene
Where I work in the northeastern United States, several species of trees and shrubs have been staples of residential landscape design for so long that stands of these arboreal mainstays (very often deployed by firms not known for their creativity) have become something of a visual cliché. Through the years, however, I’ve found that even these shopworn landscape icons can be used in beautiful and often surprising ways that seem perfectly suited to their environments while also making
On the Dry Side
With greater force than ever before, water conservation is back on the minds of governments, landscape professionals and property owners these days - and for good reason:  The combination of growing demand and recurring periods of drought has sensitized people in many parts of the country to the fact that water isn't an infinite resource. Even this new magazine is part of the dialogue:  In the September/October 2006 issue of LandShapes, James Minnich defined the need for landshapers to become more
Setting Botanical Scenes
Done properly, planting design is much like painting:  It involves setting frames, backgrounds, screens and stages in a garden, thus creating a living scene with the plants as features of the composition. Just as a painter adds layers of colors to a canvas to create a work of art, the garden designer combines plants for visual delight.  But the garden designer has an advantage in that scent, texture, motion and even taste can be experienced in gardens in ways that can only be suggested by a painting.  (As a former painter, I can attest to this point and credit my artistic adventures in
The ‘Ahh’ Factor
"No matter how sophisticated you may be, a large granite mountain cannot be denied - it speaks in silence to the very core of your being."                                   - Ansel Adams     The man considered by many to be the father of American landscape architecture often referred to himself as a "garden maker," a self-description by Fletcher Steele that influenced me greatly when I first saw it in a book about him in 1990.   When I think of the word "making" on its own, I see images of human hands crafting cherished artifacts or offerings, while the word "garden" conjures a host of images from Eden to Shangri-La.  Taken together, however, the words evoke even more powerful images of the deliberate shaping of places of great beauty and serene repose - an apt definition for any landscape professional.   When I borrowed those