logistics
In recent years, I've become increasingly focused on landing projects on St. Thomas, St. John and a bunch of other paradisal surface eruptions off the east coast of North America: I like the people, enjoy the climate and truly love the laid-back island culture I find even among the high-end clients who call on me to design their poolscapes. Quite often, the settings are the far side of spectacular, too, with views of multi-hued coastal waters of the Atlantic Ocean stretching out for miles, often interrupted by
One of the things we value most in our fountain projects is that no two of them are ever the same. I can make that same statement about our custom pool projects, of course, but it's a matter of degree: Where uniqueness from pool to pool is about selecting just the right possibilities among shapes, elevations and materials, for instance, from fountain to fountain it's about inventing and adapting technology and pushing accepted limits to make ideas work. The fountain under discussion in this article is a perfect illustration of that distinction. Making it happen was about
In any large-scale watershaping project, managing the logistics has a way of becoming the most important task of all. In the case under discussion here, that might even be an understatement when you weigh all of the complicating factors. First, the job site was located in central Colombia, in the foothills of South America's Andes mountain range. Second, that locale is essentially a tropical rainforest, and when it wasn't pouring by the bucketful, it was crushingly hot and humid. Third, ours is a North American company that works with its own products and has no distribution in Colombia. And there's more: To get the job done, we knew we
Among the best things about Philadelphia is its stock of public art - and that's not accidental: For many years, all construction projects in specific neighborhoods reaching certain dollar thresholds have been required to include an accessible work of art within their footprints. Whether it's a sculpture, a mural, a statue celebrating a Founding Father or a waterfeature, the city now boasts more than 1,000 of these art pieces, each one part of an outstanding cultural and historical landscape. One of our recent projects fit within this program: Located just across the way from Independence Hall, it's part of a
They say a picture is worth a thousand words. In the case of this project, that old truism was right on the mark. From the start, what my clients seemed to want most was to look at every image I could muster and ask questions and make comments about each one. And it worked: Through their words and body language during these sessions, they offered me almost all of the information I had to have to deliver precisely what they wanted. And that was great, because when I
With some watershaping projects, homeowners enter the process with a very specific vision in mind. This can, of course, be problematic if their thinking doesn't align with the character of the site or the extent of the available budget. With this project, however, the clients' deep-seated desires were never an issue. In fact, the space the clients envisioned had a source of inspiration so sublime - and the property was so well suited to the desired look - that there was no reason even to question how things would turn out. The clients live in a large home in San Marino, Calif., just a couple blocks away from
Working on the road can be tough. As was discussed in the first of this pair of articles (click here), it can get even rougher when you're working on a cliff in a remote area and have been asked to build a big watershape in a place where all sorts of environmental rules and restrictions apply and there are also plenty of easy-to-upset neighbors. I thought we were ready for all contingencies as we prepared ourselves, the design, the plans, the permits and the site. I was even prepared to deal with the half-load restrictions imposed to protect thawing
