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What's involved in a good landscape-lighting project? Whole books have been written on this topic, and it's not hard to find week-long workshops devoted to showing professionals how to produce finely illuminated environments for their clients. If you're a designer or a design-oriented contractor, however, I'd suggest that you have enough of a head start that we can set you off in a good direction with this brief article and its focus on the features of a good lighting program. You already think like an artist, which is great, and know how to identify focal points and
Today's swimming pools, spas and waterfeatures have moved several steps beyond their traditional, classic forms in shape, complexity, visual interest and beauty - and so have the techniques and technologies involved in giving them a warm, inviting glow when evening comes. Happily, we're far past the bad old days when the common solution to most watershape lighting tasks was placement of a blinding, 500-watt incandescent bulb in a huge, visually intrusive niche: Through years of innovation, experimentation and refinement with light-emitting diodes (LEDs), lighting is now adding splendor and wonder to the pool/spa experience in compact, unobtrusive packages - a design asset that couldn't
The advent of underwater LED lighting has changed the way we look at and perceive swimming pools and spas once the sun goes down. In contrast to past days, when a single incandescent light blasted the eyes of anyone nearby, lighting is now a far subtler design feature - an intricate, integral part of a pool's aesthetic presence and the key facilitator in creating an ideal backyard ambiance once the sun goes down. But LED technology brings a learning curve with it - one that is even more of a challenge in an era when pool designs are increasingly dynamic and complex. And no matter whether you're a veteran or a
The lighting of pools is much more challenging than it once was, notes Graham Orme, mostly because their contours are so much more intricate than they were even 20 years ago. Here, he starts a new series that will guide all of us toward more 'enlightened' results.
FX Luminaire (San Marcos, CA) manufactures ZD MR-16, a drop-in LED lamp that converts incandescent…
We live in a multi-dimensional world. Most people understand that space has three dimensions: height, width and depth. But relatively few people look at color in the same way - that is, as a three dimensional phenomenon. Understanding these three dimensions of color can become the key to unlocking your creativity as a designer. We began our study of color in LandShapes' May/June issue ("Designing in Color," click here), where we explored the scientific nature of color and its first dimension - hue, the name of a color (red, yellow, blue, orange, green or violet) - and learned that each hue has a temperature range (from warm to cool). We also learned that all six hues may be organized and better understood through the use of a helpful tool developed by color scientists called the color wheel. We will now continue our study of color by exploring the second and third dimensions of color and then by discussing contrast, analogous and complementary colors and color harmony. This will enable us to begin applying these fundamentals as landshapers and see in practical terms how understanding these fundamentals can help us become better
My clients' eyes light up when they first discuss color. They describe intense images of saturated reds, violets, and blues. The more color we can pack in, the better. No one yet has asked me for a garden awash in neutral grays. But what do they really want? As a landshaper, am I delivering the best service by designing a landscape overflowing with pure, vivid colors? As the hired expert, how am I to produce a landscape design that evokes the feeling they really want? That end result - the feeling, or emotional response, that the client gets from the garden - will not necessarily be achieved by placing bright colors everywhere. What we want is a garden that sings, not screams, with color. Of course to design this kind of garden, we designers must understand color ourselves. There is, unfortunately, an abundance of misunderstanding and misinformation on the subject. Let's aim at a more thoughtful understanding of color by approaching it in a logical, sequential manner. Let's explore how color really works, and how to design with color to form compositions that produce the feeling your clients
