form
I'm particularly interested in the behavior of water. To me as a sculptor, differing water flows and their textures are like "colors" to a painter: I find a color that holds meaning for me and then look for a structural form that can present it. To this extent, my artistic medium is the behavior of water and the means to make it behave. The sculpture in this case is water combined with a structure in steel, stone and equipment. The work is abstract: abstractions of feelings related to the movement of people, animals, fish and the flows of water in streams, rivers, rain - even the flow of numbers. As a result, I need metaphors and feelings to drive my creative expressions, then use water and other sculptural elements in much the same way a choreographer might use line and gesture to express a feeling or a composer will use chord changes and musical phrasing. My hope is that, in creating forms that are meaningful to me, other
Images of waterways almost anywhere in the world are filled with gentle sweeps of free-flowing grasses swaying in the breezes or simply lazing by the water's edge. From a watershaper's perspective, these grasses are arguably the most versatile of all plant materials. In one form or another, they exist and thrive in almost every environment in the world. They can be used by themselves to lend a natural feeling to a stream or pond, next to a contemporary watershape to make a bold statement or nestled among almost any other plants in any landscape style to soften and add texture. One of the best things about grasses (particularly the taller ones) is how gracefully they wave in the wind, adding an element of
Frank Lloyd Wright once said that architecture is the art form to which all others subordinate. That's a bold comment from a man whose amazing achievements were matched only by
