fog
Effectively collaborating with clients usually requires finding some kind of connection, be it personal, intellectual or experiential. Sometimes you really have to dig to find that common ground, but there are those situations where it's immediately obvious. The latter is exactly what happened
It's been many, many years since I visited Bordeaux - and when I did get there back in the 1970s, I had yet to develop my appreciation for the French region's wonderful wines. As a result, I was the swiftest of sightseers out on a day trip, and one of the few things I recall with any strength of memory was the Bourse, a set of grand riverfront structures that now serve as the region's central commercial exchange.
Under construction from 1730 to 1775, the complex was designed by Ange-Jacques Gabriel, probably most renowned for his work on the Place de la Concorde in Paris. He was an ardent exponent of neoclassical symmetry and certainly didn't ease off his preferences in this case. When I saw it in 1978, I was impressed by its balanced grandeur and spectacular level of detail.
here.
To see his own gallery of images of the Miroir d'Eau, click here.
As though it werent apparent by now, when i travel, look for watershapes.< p >
It' s been a professional practice of mine since 1986, when i started working at pool & spa news, but it was established as personal habit long before then. even child (and my parents could attest if they were still with us), drawn to water wherever went
This means I've seen and studied lots of fountains through the years. It also means that I pay lots of attention when I run into an unconventional one, as was certainly the case with the Tanner Fountain on the campus of Harvard University in Cambridge, Mass. When I saw its arrangement of stones and the wonderful way it uses mist to make the space mysterious yet strangely inviting, I was hooked.
Designed by landscape architect Peter Walker in collaboration with sculptor Joan Brigham and fountain expert Richard Chaix, the watershape sits along a busy pedestrian thoroughfare near Harvard Yard. An early and perhaps even the first example of the "Landscape as Art" movement that started at Harvard around the time the fountain was installed in 1984, the composition consists of concentric rings of granite boulders looping around 32 jets located near the center. The jets produce water sprays and a dense mist that envelops the stones like a cloud.
When I first saw the Tanner Fountain, I was immediately reminded of the inverted fountain on the UCLA campus, which I wrote about in a travelogue back in June 2013 (click here). But where the effect of the UCLA fountain was to inspire mirth (at least to my somewhat twisty mind), the Tanner Fountain simply inspires, especially on days when the air is still and the mist has its way with the space.
The video linked below shows the layout of the stones and how their placement invites observers to come close, pass within the rings and approach the source of the mist. My big regret is that I missed seeing the space covered in snow - a phenomenon that puts a completely different spin on the composition. But I still count myself lucky: I saw it on a warm late-summer day when the cooling mist was unusually welcome.
In short, I love this fountain. The next time you're in the area, stop on by - and please give yourself enough time to observe the space at your leisure, especially taking in the way people (especially children, if any are around) interact with the mist: It's a treat on more levels than I can count.
To see a brief, wonderfully informative (if deadpan) video showing the various moods and seasons of Tanner Fountain, click here.
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