flowers
Scott Cohen is passionate about plants and especially those that produce beautiful flowers. Here he explains that while plants add a rich dimension to his designs, they do also attract pollinators, including bees, other insects, hummingbirds and even bats. Thankfully, it is impossible to have flowers without the creatures that help propagate them, but to his mind, having a garden blossoming with color and life is a source of tremendous joy and fascination.
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'My daughter and I just returned from our annual trip to visit family in Connecticut and used the occasion this time to travel all over the northeast,' wrote Stephanie Rose in opening her Natural Companions column for November 2004. 'I'm never disappointed by the beauty I find in that part of the country.' 'What I find most beneficial in travel
We live in a multi-dimensional world. Most people understand that space has three dimensions: height, width and depth. But relatively few people look at color in the same way - that is, as a three dimensional phenomenon. Understanding these three dimensions of color can become the key to unlocking your creativity as a designer. We began our study of color in LandShapes' May/June issue ("Designing in Color," click here), where we explored the scientific nature of color and its first dimension - hue, the name of a color (red, yellow, blue, orange, green or violet) - and learned that each hue has a temperature range (from warm to cool). We also learned that all six hues may be organized and better understood through the use of a helpful tool developed by color scientists called the color wheel. We will now continue our study of color by exploring the second and third dimensions of color and then by discussing contrast, analogous and complementary colors and color harmony. This will enable us to begin applying these fundamentals as landshapers and see in practical terms how understanding these fundamentals can help us become better
My clients' eyes light up when they first discuss color. They describe intense images of saturated reds, violets, and blues. The more color we can pack in, the better. No one yet has asked me for a garden awash in neutral grays. But what do they really want? As a landshaper, am I delivering the best service by designing a landscape overflowing with pure, vivid colors? As the hired expert, how am I to produce a landscape design that evokes the feeling they really want? That end result - the feeling, or emotional response, that the client gets from the garden - will not necessarily be achieved by placing bright colors everywhere. What we want is a garden that sings, not screams, with color. Of course to design this kind of garden, we designers must understand color ourselves. There is, unfortunately, an abundance of misunderstanding and misinformation on the subject. Let's aim at a more thoughtful understanding of color by approaching it in a logical, sequential manner. Let's explore how color really works, and how to design with color to form compositions that produce the feeling your clients
Quite often, my clients will preface our design discussions with the statement that they want to see flowers in bloom throughout the year. They just hate it, they say, when the garden looks "bare" from December to February. In my opinion, they're just not seeing the possibilities their gardens have to offer. In fact, winter is my favorite time of the year, and it's about more than the holidays, the gift giving (and receiving!) and the chilly temperatures: Mainly, it's about my love affair with winterscapes. It may be because I'm a northeasterner somewhere deep inside, but I love the fact that colder climates, with their snow and other weather inclemencies, require those with gardens to
So you read my last article and were so excited about Amazonian Water Lilies that you'd decided to talk some clients into going for it. But alas, after measuring their yard, you recognize that you won't have enough room to accommodate the gargantuan watershape you'll need to host such an immense plant. But your clients are still hot to trot with something unusual, even after you've accepted the fact that
