design history

Finding the Look
‘Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked,’ wrote David Tisherman in his Details column for the December 2007 edition of WaterShapes, ‘it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. ‘I confirmed for her that, yes, those products had come a long way. But I wouldn’t let her stop there, suggesting that there was much more than
2012/6.1, June 6 — Hiding Headwaters, Step Lighting, Purposeful Travel and more
June 6, 2012 WATERSHAPES.COM ESSENTIAL The Hidden Source Creating natural-looking cascades and waterfalls requires the…
The Art of Concealment
For years now, I have been fascinated by the lengths people are willing to go to avoid visual clutter.It all started before I was a watershaper – back in the days when a partner and I spent our time setting up high-tech security systems in the homes of well-to-do residents of Silicon Valley. As though it were yesterday, I remember a homeowner giving me a tour of her house and taking delight in asking me to
Designing with Freedom
Up until 64 years ago, swimming pools had a lot in common with Henry Ford’s early cars: Just as you could get a Model A in any color so long as it was black, you could get a swimming pool of any size or shape so long as it was rectangular. Renowned landscape architect Thomas Church changed all that in 1948 with the kidney-shaped Donnell pool – and has left succeeding generations of watershape designers to face the challenge of helping their clients find the right-shaped pool for their given settings. Church was blessed with an open-minded California client who wanted a “pool as art,” with the practicalities of swimming treated as a secondary consideration. And Church delivered, big time: The pool’s flowing form was inspired by
A Place to Begin
It’s a bit hard for me to believe it, but it’s now been fully 11 years since I attended my first Genesis 3 design school.  One of the events I remember most clearly from that first session was (among many others) David Tisherman laying out a bunch of books and recommending that we should immediately obtain and read all of them.   Always looking for a firm foothold, I asked him which one I should read first, and, without hesitation, he pointed to Janson's History of Art:  The Western Tradition.  I didn’t act on his advice right away, but I eventually acquired a copy and started reading – and it took me nearly
Made for the Shade
Garden historians tell us there is evidence that pergolas and other shade structures were common features of Egyptian, Greek and Roman exteriors. They further suggest that they were normally situated on north sides of residences and were covered with grape vines or matting. Not much has changed through the centuries, although these structures are now found in all directions around homes and as free-standing features in residential designs around the globe.    In modern times, these structures are used for almost every conceivable purpose - dining, cooking, fireside relaxation, parties, weddings, photo shoots and, most important, spending time with friends and family.  They offer welcome retreats to those wishing to enjoy outdoor spaces on hot days and are increasingly becoming focuses of activity even in the middle of