custom concrete
By Fu-Tung Cheng I’ve never been entirely comfortable with the term “decorative concrete.” To me, the pairing of the words has always implied that one merely applies material over a substrate in the way a baker might apply icing to decorate a cake. Instead, I see concrete as inherently profound. More than appliqué, it is a medium that has long been used functionally as well as expressively. In my own case, I feel far more creatively engaged in my work when I merge my thinking about those dual potentials of function and art. Historically, in fact, I believe that when the two become an inseparable one, we recognize and celebrate these works as rising to the level of great design. In my own case, I began using concrete as an expressive medium a few decades back, when I was among the pioneers in designing and installing concrete countertops in contemporary kitchens. As both designer and builder, by the year 2000 I had
One of the great things about watershaping is how the work can lead you to unexpected places where you sometimes encounter vastly different ways of doing things. In the past few years, for instance, my design work has led me to design a number of projects in the great open spaces of western Canada – many of which have been built by Gene Brown of Valley Pools in Kelowna, British Columbia. Working with this true professional has taught me a great deal about the precision and power that comes in using poured-in-place concrete as a medium and, as a result, has greatly influenced my thinking about how watershapers everywhere should strive to elevate their own standards of construction. My northward migration began with small steps. In fact, I started off with Valley Pools simply as a consultant for hydraulic and mechanical issues, exchanging plans with Brown and helping him ensure the functionality of some of the more complex systems he found himself doing. At first, I did little more than flesh out the plans mechanically, but I couldn’t help noticing that he was finding some interesting projects – and also observed that he was one of those watershapers who had completely dedicated himself to excellence in all facets of the work. Our usual exchanges were set aside, however, when one day he sent me a set of plans that had been produced by an architect in collaboration with
