context
When I was a kid, we'd take occasional family car trips to places all over southern California to see the sights. One of my dad's favorite destinations was San Diego, and what I remember most about those drives was the fact that now-overbuilt Orange County was still mostly vast beanfields all along
I've written a couple of my recent blogs about public pools, access to them, their cost, their status and my growing concern that, for a complex of reasons, swimming skills and our basic societal inclination to be water-involved is slowly moving onto the cultural version of the endangered species list. It's in this context that I call your attention to
In his book Gardening with Water, James van Sweden called water “the heart of the garden.” I’ve had the privilege of working with him and his partner, Wolfgang Oehme, since 1986, and all of us at Oehme, van Sweden & Associates (Washington, D.C.) share an appreciation for the simple profundity of our founding partner’s words that is clearly reflected in the way we use water. To be sure, we occasionally design gardens without water, but more often it’s a key part of what we do and serves as a powerful foil to plants, hardscape, art and architecture. We enthusiastically take advantage of the way it brings contrasts, reflections and sounds to spaces and exploit its ability to define destinations, invite recreation or provide gathering spaces. We also work closely with all of the psychological associations it conjures within human beings – feelings of tranquility or excitement as well as sensations of the raw, regenerative power of nature. In our work, which spans the full spectrum of residential, commercial, public and institutional settings, fully 80 percent include watershapes in some form, from lily ponds, rills or cascades to formal fountains or swimming pools. Occasionally these are stand-alone features, but when the situation permits, we’ll use them in
Successful design is, I think, most readily achieved by linking a landscape to the architecture it accompanies. During my years as a landscape designer, however, I've seen far too many places where the landscape was apparently designed in a vacuum, displaying little to no connection to the home or any other structures on site. To the contrary, our job as landshapers is to
My daughter and I just returned from our annual trip to visit family in Connecticut and used the occasion this time to travel all over the northeast - from Boothbay Harbor, Portland and Camden in Maine to Martha's Vineyard and Nantucket and other parts of Massachusetts as well as slices of New Hampshire and Rhode Island. I'm never disappointed by the beauty I find in that part of the country. The landscapes are much lusher than they are at home in southern California, a fact that drives home the point that I spend most of my time in a desert. The old-growth trees back east are
At our firm, we treat every project and every customer as if they're one of a kind - which in truth they are. And we've been lucky in developing a high-end clientele that, on the whole, is looking for something special: They enable us to treat each project as an individual work of art; at the same time, they challenge us to stretch our own abilities and increase the variety of design solutions we bring to the drafting table. In many cases, this requires something of balancing act between what clients think they're after and the practicalities of the site itself, the architecture of adjoining structures and the views of surrounding areas. For that reason, each of our
It's a basic and important idea: Quality and beauty can and should be provided across a wide range of pricing levels. In my work, I design and build many residential and commercial watershapes with budgets well into six figures; I also tackle many projects firmly planted in the five-figure range. No matter the budget, I believe strongly that I owe it to my clients to deliver a watershape of lasting beauty each and every time. Fact is, quality and artistry often can be achieved with a distinctly uncomplicated program. By bringing a watershape's design into harmony with the architecture of the home and/or other adjoining structures, it's often possible to enhance aesthetics and value without dramatically increasing the price tag. Take the project seen here as an example: Through careful placement and shaping of the vessel, artistic edge treatments and minor elevation changes - none of which added appreciably to the cost - I left my clients with a watershape they love at a price they could
Visual Acceptance