By Mario Abaldo
Finishing up a project of any size is all about the details.
From the final touches on the artificial rockwork and the placing and adjusting of lights to the fine tuning of the circulation system and signing off on the equipment room, the art of fine watershaping ultimately boils down to applying the same stringent standards for excellence that you bring to the beginning and middle of the project straight through to the end.
Of course, it’s virtually impossible to complete a project of this magnitude without
having to make significant changes and adjustments (or, worse, reconstructing or reinstalling things along the way). The best means of coping is to plan and install to perfection or near-perfection at each step. This is why, as an organization, we look at every aspect of construction as part of a grand process of making a long, smooth transition from “project” to “finished product.”
It also helps, as in this case, to have a great client.
In a perfect world, we could create plans that accommodated all contingencies and ended up being built exactly as designed, but on big projects there will always be changes and challenges that arise, and our work on a project first discussed in the September 2004 issue (page 34) was no exception.
In this case, we were hampered to some extent by the contribution of a builder who’d been on site before we arrived – but were ably assisted by a homeowner who was intimately involved (and stayed that way) from start to finish. The fact that he hung in there with us and was happy to discuss various issues as they arose gave us the confidence that comes with everyone being on the same page. Indeed, we developed a rapport that went well beyond what we usually witness with our high-end clients.
With a project of this scope and complexity, you have to be ready for things to change as the work progresses. To accommodate this certainty to the best extent we can, we always design our hydraulics system with valves and controls that will enable us to “fine tune” the amount of water flowing through the various waterfeatures as needs and desires emerge.
We also take care in equipment selection and worry every detail of equipment-room layout with the goal in mind of making everything both easy to understand and easy to service – all because we’re well aware that it will be up to others to maintain what we leave behind.
Along the way in this and other projects, we have benefited a great deal from the technical support of various manufacturers, particularly the folks at Pentair Pool Products of Sanford, N.C., who have consistently been supportive and responsive to all of our needs, great and small.
It’s my view that if more swimming pool and spa suppliers took the time to respond more carefully to the questions, problems and needs of those of us who spent time applying products in the field, everyone in our industry would be so much the better.
For starters, the main thing we would have done would have been to site the project differently. Rather than place the entire structure at the top of the hill above the home – right at the property line – we would probably have pulled the entire layout down toward the house, leaving the crown of the hill as a backdrop.
This would have enabled us to create rockwork and cascades above and behind the grotto and slide structure that would have blended them in more effectively with the surrounding landscape. As it was, we had few options beyond trying to soften the profile of the main rock structure by fanning out the rockwork over a broad area and creating a series of intricate waterfalls and planting areas.
Upon further reflection, we also probably would have relocated the spa to a more forward position away from the rock structure. This would have enabled us to make it larger and more elaborate.
All of that said, we’re thrilled with the finished watershape, and so are the homeowners and their four teenage and pre-teen sons, who have already made big use of the pool for entertaining their friends. And when it comes to fun, this pool really does have it all, from the slide, grotto and beach entry to the island, interactive waterfeatures, music system and colorful lighting. It’s a space made for good times.
We’re now working with homeowner on phase II, in which we’ll be working with the area around a new guesthouse and will extend the rock structures away from the pool area and down the hillside. There are even some speculations about creating a pond/wetlands area – and this time we’ll be there from Day One.
The features associates with the free-form pool and rock structure are uniquely dedicated to family fun, from the strategically placed water cannons (top row, left) to the slide that passes through a dark tunnel before emerging and dropping to the water (top middle left and middle right).
While the entire backyard seems dedicated to vigorous activity, the design also incorporates characteristics that appeal to more grown-up sensibilities and the adult impulse to seek relaxation in the great outdoors.
Our firm prides itself on sophisticated artificial rockwork, and our skills are very much on display from wall to wall in this project.
In a Fog
To recreate the effect of mist rising from a rustic pond, we equipped the entire pool area with fog machines that give the setting an otherworldly appearance, day or night.
It's the Water
For all the amenities, features, sculptures, details, play elements and general exuberance of these structures, the success of any watershaping project has to do with water.
Mario Abaldo is founder and president of Abaldo Enterprises, a Union, Maine-based design/build firm specializing in extremely high-end, water-centered “total environments” for clients around the world. Abaldo has been involved in hands-on custom work for more than 25 years, having started a successful business as a stonemason at age 15 and declaring that he still “loves the smell of concrete in the morning.” He strives to bring the latest in products and technical expertise to his clients and projects, incorporating such elements as high-tech security systems and fire-on-water effects. He also brings a diverse range of life experiences to bear in his work, from his strong academic background to his love for art and outdoor and underwater exploration.