By Dave Garton
Author’s note: In January as part of a previous article in this series, I briefly discussed the process of selecting stone material with clients. Here we’ll expand on that process with a look at why checking out rocks can be so much fun, and why it can be so important.
Smiling changes things, but what on earth does that have to do with building ponds, or any other type of watershape for that matter? That answer is simply everything! In fact, this simple truth about the power of smiling might just be the most practical idea that exists in the world of watershaping. I believe it’s right there with
In listing ten more guideposts Paolo Benedetti wishes he'd known before he started his business, this entire second set is about knowing, following and being on the right side of the rules when it's time to work with inspectors and the codes and standards they're sworn to enforce.
An Interview with Paul Fischman by Andrew Kaner
Through the years, we at Aquatic Consultants (Miami, Fla.) have formed bonds with several architects and landscape architects whose efforts we support with plans and details for the aquatic systems they’re including in their projects.
In that capacity, we have worked with Paul Fischman with some frequency. He’s a partner at Choeff Levy Fischman, a Miami-based architecture firm, and in the past eight years we have seen our relationship grow to a point where we now consider
With the many questions he's asked in classrooms and in conversations with fellow watershapers, Paolo Benedetti is constantly reminded of things he wishes he'd known when he started his business. In the first of two articles, he begins by discussing ten of these key observations.
By Kurt Kraisinger
Most successful designers have a bit of show business in them. Whether you play the sophisticated artiste or radiate a quiet competence, it’s all about making a connection with a client who is asking you to participate in a significant project, whatever your personality or approach.
I’ve always wondered how those at the extremes of the personal-style spectrum find work, but the fact of the matter is that all of us, designers and clients alike, are individuals who respond in different ways to different triggers – and I know for a fact that the way I work isn’t for everyone simply based on the fact that we don’t win every contract we pursue.
For all that, however, we at Lorax Design Group (Overland Park, Kans.) have developed our own pattern and have found that it works for us often enough to
By Tanr Ross
As a pool designer, my preference is to sit down with prospective clients, listen to what they have to say about a pending project and, working with their ideas, the site and the budget, come up with a program that makes all of us happy and proud. For the most part, that’s the way things go for me these days.
But I also know that, on certain occasions, it’s necessary to go with the flow.
In the project covered here, for example, a super-affluent property owner had called on a respected architect to
By Kurt Kraisinger
Each custom design project is, of course, different from any other. The client may be a known quantity, but the site and the budget won’t be and, as professionals, we always end up responding to unique sets of variables with eyes wide open.
In the first part of this series, we looked at the disembodied details and components that made up one of these unique design packages. Starting with this part and continuing into the next, we’ll examine at what was involved in assembling that particular set of features and, in this article, look specifically at how my collaboration with the client proceeded from initial contact to acceptance of a preliminary design.
Obviously, what I’ll describe here is
By Paolo Benedetti
In recent years, I’ve witnessed or participated in enjoyable conversations about the fact that pools, spas, fountains and other waterfeatures are now more complex than they’ve ever been. What I’ve heard and seen less often, however, is equivalent bantering about the fact that engineering plans for such projects must keep pace if these elaborate watershapes are to perform – as they should – well into the future.
In this context of progress and success, it should trouble watershapers that large numbers of builders persist in relying on generic structural plans when it’s time to break ground on their projects – even on those that
By Paolo Benedetti
No matter the method by which it is applied, concrete is a fascinating material.
The history books tell us that it’s been in use for thousands of years – as far back as 6500 BC, when it was used by Bedouins to make cisterns in which they collected and kept water underground in desert climates.
The ancient Greeks used concrete, too, as did the Assyrians and especially
Taking control of the plastering process is within reach of any quality-oriented designer or builder, declares Kim Skinner. To help you on your way, he offers this step-by-step guide to managing what should happen on site before, during and after plaster application takes place.