By David L’Heureux
Starting in 1661, Louis XIV of France began a building project at his country estate in Versailles that would keep him busy throughout what remained of his reign. He held on all the way through until 1715, so he had a good, long time to browbeat large numbers of architects, designers and engineers into making the chateau a statement of power, wealth and majesty befitting a man who called himself Le Roi Soleil
For much of human history, those with power and wealth have been willing to put both on display in the places they choose to reside. There are palaces and great houses all over the planet, each one testifying to the grandeur of its owner and the talents of the architects and designers brought in to turn grand visions into actual structures and garden spaces.
Often, those commissioning these conspicuous projects were members of
By Jim Wilder
No matter where you turn these days, you’ll find watershaping experts preaching the gospel of balanced hydraulics. In class after class, text after text, they all say that if you do exactly the same thing on one side of a tee as you do on the other, you will get the same flow on both side of that tee.
If, for example, two main drains are connected to a single tee with pipes of the same length and diameter and the same fittings, those drains will both draw equal amounts of
By Jim Wilder
Water in the open basins that commonly surround fountain jets or nozzles is never tranquil while these systems are in operation. It will slosh around in response to the upward thrust of those jets or nozzles as well as the splashing the rising water makes as it drops back into the basin. If the circumstances are right, this disruptive splashing will produce waves in a distinct, consistent pattern. By exploiting these waves, it’s possible to produce an effect I find
By Karen Van Heukelem
In recent years, cities across the United States have found that restoring their old train stations is a great way to attract people and commerce to downtown districts that have seen better days. These revitalization projects have picked up the pace in cities from Washington, D.C., to Los Angeles, and they seem to work best when old, original functions are preserved and mixed in with the new.
That’s precisely the direction that redevelopment of Denver’s historic Union Station has taken: The classic, Beaux Arts-style building, which opened in 1914, lost almost all of the
By Mike Farley
In my experience, watershapers have a tendency to focus a bit too narrowly on one or another aspect of the craft – some on pools and spas, others on ponds or fountains. You get the idea: In speaking with clients, there’s an inclination to play to one’s strongest cards – and I think that can be
By Mike Farley
These days, it seems like just about every homeowner wants to get something special with their pools and spas. More often than not, that means some form of water in transit, whether it’s a cool spillway, a vanishing edge, a bubbler on a thermal shelf – or, as in the case highlighted here, some sort of jet that will
By Bryan Weber & Eric Cooper
Consider this scenario:
A company you’ve worked with in the past calls your firm in to work on a project. You’re told the setting is magnificent: You’ll be working with a huge sculpture in the most prominent position in front of one of the most renowned sports stadiums on the planet – all of this in a city that prides itself on brilliant architecture.
The job is yours, but here’s the thing: The client is the wife of Jerry Jones, owner of the Dallas Cowboys, and he’s not supposed to know what’s really going on out front of his own stadium until an unveiling ceremony scheduled for his birthday.
And it gets better: The call comes at the end of April and the unveiling ceremony will take place in October. To say it’s a fast-track project would be putting it mildly.
Once the design was finalized, we were to have ten weeks to turn approximately a million and a half pounds of concrete, steel and stone into a working fountain. And along the way, the stadium was to host a range of events – a Monster Truck Jam, a FIFA World Cup Soccer qualifying match, a Professional
By Jon Mitovich
Some projects carry obvious prestige, and this is one of them: The pair of reflecting pools and the sculpture that rises above them stand in front of AT&T Stadium in Arlington, Texas – home to the Dallas Cowboys and, several times a year, host to nationally televised football games.
But certain of these prestige projects take on extra dimensions – and this was one of them, too: The mirror-finished dish that surmounts the watershapes
By Ben Dixon
This waterfall could’ve been built in either of two ways: A system of internal reservoirs and a long, narrow nozzle could’ve been formed as part of the structure itself, a task that would’ve placed huge burdens on the forming crew and the person shooting the gunite; or a manufactured fixture could be used to create the desired effect.
Sensibly, the folks at Tango Pools in Las Vegas chose to pursue the latter option, deciding it would be better to
By Jon Mitovich
It was one of those projects where aesthetics, technology, function and history all came together.
Installed on a pier on the waterfront in Hoboken, N.J., right across the river from the Manhattan skyline, the dry-deck fountain pictured on these pages was part of a civic development movement aimed at creating new public areas on both the New York and New Jersey shores.
Our company, Roman Fountains of Albuquerque, N.M., first became involved in the project in 1996, when we
By Paul L'Heureux
Through all the centuries of watershape design, the laws of physics have imposed restrictions on the watershaper’s ability to extend a laminar flow of sheeting water beyond a drop of five or six feet. Go much beyond that limit and the sheet breaks up, thus impairing the aesthetic effect, causing an annoying degree of splashing and generating an abundance of undesirable, monotonous noise.
Those physical laws have been seriously bent in public spaces in recent times. Indeed, special weirs and nozzles have made it possible to achieve laminar flows of 12 feet or more. Up until now, the solutions employed to achieve these effects have usually been beyond the budget of smaller commercial projects or residential clients – but that’s changing.
At my firm, Crystal Fountains, we’ve long been studying the phenomenon of falling water with an eye toward maximizing the surface tension of water and thereby extending the “laminar” effect without breaking the bank. We’ve had the luxury of working on some high-end projects that enabled us to perform the research and development necessary to do that stretching.
By adapting some of the design ideas we
By Barton Rubenstein
It’s an age-old paradox, this relationship between art and science. On the face of it, things artistic may seem solely the realm of high-flying thinkers and philosophers who spend their days at the far reaches of interpretation and meaning. By contrast, engineers and scientists would seem to be dealing purely in the certainties of what is quantifiable and real.
The truth is, I don’t know of a modern art form that doesn’t involve technology of some kind. Conversely, most branches of modern science call upon researchers to apply a great deal of intuition and creativity to the processes of exploration and discovery. In other words, neither the arts nor the sciences could exist without ideas and disciplines derived from the other.
That’s especially true when it comes to water systems. Whether created for aesthetic or recreational purposes, art and science can come together here in a particularly compelling and interesting way. By combining technical disciplines with